![]() ![]() The Smiths - There Is A Light That Never Goes Out Įpisode 10! This time we have two guest. Unfortunately very minimal talk about video games this time. Nathan goes on a rant about a segment he heard on a 'proper real radio station'. In the second half we talk about our Freebird experience with Mundy. #KING CRIMSON WILKO JOHNSON SERIES#Nathan is also overjoyed with the announcement of a new Twin Peaks series! Luke talks about a new Ainme series he has started watching called Kill La Kill. Dara has finally watched Mulholland Drive! We yet again have a lengthy discussion about this fantastic movie. In the second half Nathan has another "Game That Came Out And I Was Like Wha- How Was This Made? Why Was This Made?" and Luke ends the podcast with his debatable wildcardĮpisode 17! In this edition of The Cultcast Podcast we have some sad topics to talk about, from abusive KFC Customers to The Death Of Luke's Favourite Podcast, the sadness is strong with this one. We then go into "Big Boy Discussion" as we talk about sexism in video games. ![]() Nathan does a short review of Video Games: The Movie. Dara gives his two cents on one of Luke's favourite movies ever (Cashback). Nathan shows his messed up sense of humour while discussing Todd Solondz's Happiness and it's sequel Life During Wartime. ![]() Again, after the two guitar lineup took hold, that sound was rarely heard - one exception being the song Sarah which seemed to harken back to the early Lizzy sound.Episode 19! Tomas returns! Luke "briefly mentions" The Butterfly Effect. Also Phil's bass playing was something else on those early albums and you could really hear quite a unique playing style - and tone. The first incarnation of Lizzy saw the awesome contribution of Bell whose playing and sound echoed another hero of mine - Tony McPhee. I don't mind the two guitar Thin Lizzy - but I found them to be bit generic sounding. I kinda like All I Wanted and I Can't Cry Anymore (the latter in particular had a really funny video, with Richard Belzer as a record producer was intent on over-producing the song to the nth degree), but in general, I think the band was moving in a weird direction there. I still say sound like they were trying to make Survivor records at that point. The two late 80's albums, should have been great records, what with Steve Morse playing on them, but things went South badly there. Fight Fire With Fire is an awesome song, love it, again, I've played it on my radio show, but there's quite a few songs there's some real "W!T!FRELL?!" moments on that record. I've certainly played Play The Game on Journey Of The Sorcerer's Apprentice a couple times.ĭrastic Measures, I might be inclined to feel is a lesser record, with the band sounding like they're notreally sure what they're supposed to be doing. I think Vinyl Confessions is a decent record. Renegade I can't comment on, since that's the one and only late period Thin Lizzy record that, for some reason, I've never owned, but I bet dollars to donuts it's still a solid record.Īs for the Kansas debate, I've lately had a chance to hear all those 80's era albums. And for that matter, I think Thunder And Lightning (with John Sykes on guitar) is a pretty awesome record too. I think Black Rose and Chinatown are as good, if not better, than any other studio record they made. Earlier in this thread it was suggested they took a dip after Brian Robertson left, but to me they went from strength to strength, with first Gary Moore then Snowy White coming in. I think Thin Lizzy remained a remarkably consistent band regardless of who was on guitar. ![]()
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